Charlotte Berend was a multifaceted artist in her own right, in addition to being a pillar of support for her husband, the acclaimed Impressionist painter Lovis Corinth (1858\u20131925). Born the daughter of a Jewish businessman, Berend met all the prerequisites for a career as an artist, at least from today\u2019s perspective. In the late nineteenth and early twentieth century, however, women artists faced many more obstacles than their male colleagues. Since most art academies had yet to open their doors to women, they had to content themselves with private art schools or schools of applied arts, which were nowhere near as prestigious as the official academies of fine arts.\nBerend, for example, had to have her father\u2019s permission before seeking admission to the K\u00f6nigliche Kunstschule zu Berlin (Royal School of Art in Berlin) in 1898. Its drawing classes had been open to women since 1874, yet Berend, after passing the entrance examination, was one of only two women to be admitted that year. Later, she was allowed to receive further training at Berlin\u2019s Kunstgewerbemuseum (Museum of Decorative Arts), where she was given special permission to attend the nude drawing class, normally reserved for \u201cgentlemen\u201d. \nHowever, her situation changed radically after her father lost his fortune and took his own life. Financial hardship forced Berend to switch to the private painting school for women recently opened by Lovis Corinth, which limited her career options but was at least affordable. Having begun as Corinth\u2019s pupil, she soon became his model and eventually his lover. When they married in 1904, Berend, as a modern woman, took a double-barrelled name. Their son Thomas (1904\u20131988) was born later that same year, their daughter Wilhelmine (1909\u20132001) five years later. \nPreoccupied with her domestic duties as both a mother and the wife of a successful artist, Berend-Corinth had little time to devote to her own art, though she remained as ambitious as ever. In 1906 she joined the Berlin Secession as one of only four women to be accepted that year. She also continued to sit for her husband \u2013 some ninety times in their twenty years together. When Corinth suffered a stroke in 1911, she nursed him back to health, yet when the family took up residence in their new summer home in Urfeld on the Walchensee in Bavaria, he forbade her from painting there and claimed the landscape for his canvases alone. Berend-Corinth nevertheless made some secret sketches and, in 1924, was appointed to the board of the Berlin Secession, as her husband had been in 1911. \nCorinth died in 1925. Berend-Corinth published his autobiography in 1926 and organised a memorial exhibition at Berlin\u2019s National Gallery. She also commenced work on his catalogue raisonn\u00e9. In 1927 she opened a painting school of her own in Berlin and began exhibiting her works in Germany, Italy, and the United States. The early days of her widowhood were spent mainly in Italy, at least until the anti-Jewish racial laws passed by Benito Mussolini (1883\u20131945) forced her to flee. After a sojourn in Switzerland, she left Europe in 1939 and emigrated to New York, where her son had been living since 1931.\nDespite the political upheavals, Berend-Corinth remained active in Germany even after the National Socialists seized power, and works of hers were included in the 1934 exhibition Die Deutsche Frau (The German Woman) in M\u00fcnster. Just a few years later, however, a painting of hers at the St\u00e4dtische Galerie in Nuremberg was declared \u201cdegenerate\u201d and removed. She built a new life for herself in America and in 1943 opened a second painting school in New York which she continued to run until 1955.<\/p>\n
Das Kunstwerk \"Traubenstillleben\" wartet noch auf eine Kunstpatenschaft!\u00a0<\/span><\/em><\/p>\n Durch die \u00dcbernahme einer Kunstpatenschaft profitieren Sie von zahlreichen Vorteilen, wie beispielsweise einer pers\u00f6nlichen Urkunde, die Ihre Kunstpatenschaft dokumentiert, sowie einer detaillierten Objektbeschreibung und K\u00fcnstlerbiographie. Auf Wunsch wird Ihre Patenschaft zudem bei Ausstellungen und auf unserer Website erw\u00e4hnt. Und das ist nur ein kleiner Teil der exklusiven Vorteile, die Sie erwarten. Mehr Informationen erhalten Sie\u00a0here<\/a><\/strong><\/span>!<\/span><\/em><\/p>\n Weiterf\u00fchrende Informationen finden Sie in unserem Sammlungskatalog \u201eWir werden euch nicht Vergessen. Die Verlorene Generation. Ihre Kunst. Ihre Geschichten\u201c. Dieser ist\u00a0<\/strong>here<\/strong><\/a><\/span> erh\u00e4ltlich.<\/strong><\/p>","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"slim_seo":{"title":"Berend-Corinth, Charlotte - Museum der verlorenen Generation","description":"Charlotte Berend war nicht nur eine vielseitige K\u00fcnstlerin, sondern auch eine Unterst\u00fctzerin ihres erfolgreichen Ehemannes, des Impressionisten Lovis Corinth (1"}},"categories":[96],"class_list":["post-999","kuenstler","type-kuenstler","status-publish","hentry","category-kuenstler"],"acf":[],"_links":{"self":[{"href":"https:\/\/verlorene-generation.com\/en\/wp-json\/wp\/v2\/kuenstler\/999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/verlorene-generation.com\/en\/wp-json\/wp\/v2\/kuenstler"}],"about":[{"href":"https:\/\/verlorene-generation.com\/en\/wp-json\/wp\/v2\/types\/kuenstler"}],"wp:attachment":[{"href":"https:\/\/verlorene-generation.com\/en\/wp-json\/wp\/v2\/media?parent=999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/verlorene-generation.com\/en\/wp-json\/wp\/v2\/categories?post=999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}